Wednesday, December 13, 2017

A Golden Day: Shopping At Calontir's Kris Kinder Market


Shoppers' Paradise  
It's Kris Kinder time again. That wonderful Calontir shopping event put on by the Barony of Forgotten Sea. While it's always jam-packed with merchants and their things for you to buy, there are also meetings for you to attend. 

This year Their Majesties Damien and Issabell also packed it with Laurel ceremonies. Four of them.






Processing in to court.






Peerage ceremonies, whether for Laurels, Pelican's, Knights or others are colorful, personalized ceremonies. They can be lengthy. So kindly Their Majesties took pity on us. They held a morning court and an evening court, with two Laurel ceremonies in each, along with other things they chose to include.




My friend HL Giraude Benet was welcomed into the Order of the Laurel in the morning court. I took many photos and have a few for you here.





Honorable Lady Giraude Benet
 called into court and seated before Their Majesties.



Giraude listening to those coaching her
on what it means to be a Laurel.



Giraude outfitted with Laurel's accouterment.



Giraude receiving a Laurel wreath.



M. Alan of Darkdale speaking for Giraude.



Mistress Giraude swearing fealty to Their Majesties' Calontir.



The scroll displayed and its words read into court.




Then followed a few details. The first was the presentation of YAFA tokens to Kainen Brynjolfss by Lady Adelaide Sarsfield, the Kingdom of Calontir's Minister of Youth.





Kainen Brynjolfss in court to receive 
 YAFA tokens from Lady Adelaide.



Ayisha seated in front of TRM Damien and Issabell.




Then Lady Ayisha bint Asad was called into court for her extensive work as Their Majesties' Royal Scribe. For her over-and-above efforts, they made her a Court Baroness.




L. Ayish receiving a coronet from Their Majesties.






The second Laurel presented that morning was to HL Kajsa Nikulasdottir. You might know her as one of Calontir's best costumers.




Honorable Lady Kajsa Nikulasdottir
 called into court and seated before Their Majesties.



Kajsa listening to the speaker.



Kajsa being clothed as befitting a Laurel.



Kjasa officially made a member
 of the Order of the Laurel.



A few in the audience, including Kainan.



With morning court over you can go on to other fun things such as ...




Shopping



I  rushed out of court to buy two things from Painted Sky PotteryI was concerned all their wonderful works for presents would be gone already. I bought a mug you might receive as a prize at Lonely Tower's coming 12th Night. The other I saved for a Laurel present for M. Giraude. 

But there's so much more you could do during the day.




Taking a selfie.



Talking with people  wanting to visit 
with Giraude during her vigil.




There's sharing stories, socializing, and other happenings. A party within a party. Similar activities go on outside each vigil room while you wait your turn to visit with the new peer. 




Same hall, other direction.



The vigil food and through the window
 you can see the tent for Lillian Bowyer's vigil.




In Calontir along with the court ceremony, peer candidates spend time contemplating the new direction their life will take. To do that they "sit vigil". A time you visit with them sharing insight, stories or anything that you care to share. Each conversation is in private so each candidate has a separate vigil chamber.




You could be outside waiting to speak
with Honorable Lady Lillian Bowyer.




There are more Calontiri you can talk with throughout the day than those near a vigil. If you aren't someone's friend you can become one.




You can talk with even more friends.



You could paint predesigned awards for the coming reign.



Besides vigils and shopping, you can visit with those who sell what they make.




M. Thora and her handembroidered bags.










M. Thora Sigurdsdottir is Calontir's R.U.S.H. Chancellor. But she has an SCA tailoring and hand sewing business. Thora's Threads








M. Rhodri with his books.







M. Rhodri ap Hywel is a fantasy fiction writer writing under the name Rob Howell. You can find him online through his blog too.












M. Conna and her merry recorder band.


You might buy lunch and listen to M. Conna ingen Ui Chearbhaill's musicians' jam with their recorders while you eat. That big thing she's holding is a bass recorder.













All too soon there's evening courtWith two center aisles in the auditorium, I switched to sit on the hall's other side. You never know which way people will process in. Unfortunately, where I sat this time kept me from snapping as many quality pictures for you as I wanted. 





Everyone in place for evening court.




First Forgotten Sea's Baron Soren atte' Raven and Baroness Rowan Del Wich held their short court. They presented the Baronial Colors to Solveig Melrakki and Ivarr fotviss. They also gave Ivarr the Barony's Order of Gallantry.





Ivarr and Solveig in court with Baroness Rowan.





Next HL Tamar bat Avraham was welcomed into court through Isis temple pillars. She was challenged and lauded at each ceremonial step.







Tamar was challenged and approved.



M. Conna vouching for Tamar.
  





Several AoA level awards were presented. And you saw a few Grant awards too. Eight first time attendees also received mugs. 

A large number of people came forward and were recognized for forming the new Shire of Moonstone. Lord Oswyn of Moonstone, its Senechal, received a Torse for accomplishing the required oxcart load of paperwork to form the shire.





In the pink dress, you see Teresa Rose fillia Quiteria
receiving a Queen's Chalice award.




You heard other announcements too, such as 654 people attended this huge one-day event. But my favorite was learning HL Augustin le Blinde and his wife Lady Aleit de la Thomme will become the Barony of the Lonely Tower's next Baronage at our coming 12th Night event. Hazzah!





I might be wrong, but I think this is Sir Snorri Bjornsson
belatedly becoming a member of the 

Order of the Silver Hammer.




And the fourth peerage ceremony for the day was HL Lillian Bowyer being welcomed into the Order of the Laurel. Here are the few pictures I took of her elevation.





Lillian kneeling before Their Majesties,
still dressed in the white vigil tabard
.




Lillian receiving a present from her peer.




Lillian kneeling again, wearing a Renaissance-style coat.




And the grand finale...  Their Graces Hirsch and Magdalena called into court. 





Hirsch and Magda kneel before Their Majesties.



Listening to over 30 speakers tell
"what they learned" from Hirsch and Magda.

















"Gobsmacked"



Their Majesties Damien and Issabell presented them with marks of favor for their abundant teaching and caring of the many people in Calontir. Hirsch Ross Eichmann and Magdalena van der Meere were each presented an Augmentation of Arms.  Now you see their new banners have a cross of Calatrava enhancing their heraldic arms.




M. Rhianwen waiting to bring in a new banner.
Receiving their new banners.





















I missed Kris Kinder last year so I am jolly glad and thankful I could attend this year. I'm grateful I arrived safe and early enough to get Giraude's scroll here before the morning court so Their Majesties could calmly sign it. 

I enjoyed the event as I always do. And hope you enjoy the photos too. 



External Related Web Page:

Sunday, December 10, 2017

Size Matters: Giraude Benet's Laurel Scroll






Project Title:
Giraude Benet's Laurel Scroll
Project Date:
December 9, 2017
Text by:
Malachi von Uri
Inspiration for Text:

Translation by:

Calligrapher:
Jehanne Bening
Illuminator:
Jehanne Bening
Measurements:
16 x 20 inches 
Support:
Pergamenata heavyweight natural 
Notable Techniques:
Gilding and interlinear lining.
Script:
Early/Proto- Gothic
Pens:
Mitchell 1 mm dip nib and Hunt 512 pointed dip nib
Inks:
Zig Cartoonist Sumi Ink and dilute Artist Loft (gouache for filigree).
Inspiring Manuscripts:

Walters Ms. W.82, Psalter-Hours created ca. 1315-25 in the region of Ghent, slightly later than M. Giraude's persona, but pretty.

Other notes:
Largest scroll I've done, first time I used Tresser's gilding size adhesive, multiple size letters, fine line dip nib and interlinear lining. Gold was a pain, started with Instacoll and removed it before trying Tresser's, which was better. Natural perg doesn't show in photo.

Wednesday, December 6, 2017

A Hybrid Scroll Layout

My large grid and
the computer text example
If you have a large peerage scroll to do what do you use for a grid that's larger than printer paper? What about if you have two scrolls to do?

You could make your own oversized grid. You could use 11x17" Bristol board and make your own. That's what I did.

The good news is the same grid works for both scrolls. Their "owners" have similar personas. French, 13-14th centuries. Their manuscript styles will be similar and could use one grid for both. 


To begin I printed out the text on my computer in two columns. That was my plan for the first scroll's layout. I played with the font size until it approximated the scroll's letter height. Having similar spaced writing to follow reduces dropped words and is easier to follow than long typed sentences. 

I experimented with my pen nib, making horizontal ladders to find the size that worked best. Then on the Bristol board, I measured out the horizontal spaces with a ruler and pencil. The interlinear space would be twice that of the letters. Placing several typing-paper sheets over the grid I taped them together to make the proper scroll size and lettered a draft. 


I wasn't happy with the arrangement. Compared to 13th or 14th-century French manuscripts there was too much space between the rows of letters. 


So I lined another Bristol board page. This one has the same size letter base as the prior grid, but the interlinear space is shorter, only 1 1/2 times the letter's base. I'll need to be careful or the letter's ascenders and descenders may collide in the space between lines. 

These proportions seemed to work well together. Lettering another practice page, I found two text lines that ran over the column's planned width. I reduced the column spacing on my computer and printed it out again. 

Calligraphed pergamenata over
 my handmade grid and light pad.

Using my second lined grid and the text printout, I figured how many lines the two columns of text would take. I measured the allowed text area, including space for a decorated versal. This area "subtracted"  visually from the overall scroll's size gave me the amount of space I had for illumination. 


Were the large grids worth the effort?


While it took some time to measure and ink the two large grids, I now have two new tools to use for future scrolls with a similarly sized script. They'll be good for working up the spacing and practicing calligraphy. They'll also save time if I have to redo a whole page because I wrote a word or several incorrectly.


Related Prior Post:  
How To Draw Calligraphy Guidelines With A Pencil And Ruler

Sunday, December 3, 2017

The Not So Humble White Vinyl Eraser

While at my local Office Depot recently I came across white vinyl pencil-cap erasers. I wasn't there to buy them, but they went home with me. I was excited to have white erasers for my 4H pencils tops. A silly convenience.

Usually I find today's eraser market confusing and the white pencil-cap eraser adds to it. Erasers, mostly used to remove mistakes, come in a variety of qualities and products. They're also used for more tasks than error removal. When sketching they may be used to highlight or lighten lines.  

I have erasers for specific purposes: kneaded, manual, and electric. Some I find more useful than others. I pick the eraser for the area I plan to cover and the support's surface delicacy. 


White Vinyl Block Eraser
I especially like the white vinyl block eraser. I prefer it because it smoothly removes unwanted pencil marks but does not damage the support's surface, or most ink and paint strokes. The block's size and shape allow it to more evenly erase marks from a wide space than its stick and pencil-cap versions. 

The pencil cap and stick forms are better at erasing individual guide and design lines. Sometimes I cut my stick-eraser with a craft knife giving it an angle or point for erasing marks in small spaces or to reveal a clean surface to use. 

I also have an battery powered electric white eraser that spins a small stick. Its fast rotation uses less pressure which minimizes paper damage. I'm on my second one, actually. It's wonderful for removing calligraphy ruling lines. Unfortunately this one does not retain its power as well as the previous one I had.


Feathered Ink
Although I prefer the white eraser because it's gentle to the surface, it's still important to use all erasers with care. Rubbing an eraser, even a white one, on a support vigorously removes the paper or pergamenata's coating. This leads to ink sinking into the surface, feathering out from the stroke line. 

I've noticed white erasers smudge heavy, broad area pencil shading rather than removing it. It also leaves crumbs I can't blow away, but must brush off with my antique drafting brush.

When I try a new-to-me support I do an eraser-ink test run. I want to know what to expect from any corrections I'll be making.

I like vinyl erasers because they are gentler and cleaner than standard rubber erasers. While they come in white and a variety of shapes, the kid in me likes to play with the ones in fun, fragrant shapes.

Related Prior Post: 

Wednesday, November 29, 2017

Nurturing Your Scribal Visual Awareness

As an SCA scribe, I'm both scroll designer and producer. Without a knack for each and both together the scrolls I do fall short. 

Luminous scribal creations are best handled by frequent practice, exploration, and experiment. Each scroll is unique for the accumulated knowledge and skills expressed at the time you produce it. Your entire scribal experiences flow into each work you make. 

Whether calligraphy or illumination, each combines multiple strokes into steps formed into parts connecting to make the whole scroll. The creative process. 

You can enhance your work by nurturing your visual awareness. Increase your observation powers through constant practice and make them part of you. Be committed to continually looking at medieval manuscripts. More than that, look at every detail. Every descender's swoop and paint stroke layer. Every design element and calligraphed line. Look and compare them in your mind's eye to other similar or different manuscripts. 

In the past, I did this with monthly trips to the University Library, carting home tomes of manuscript facsimiles and other books. I'd sit in my recliner, sometimes with a magnifying glass, and look at every pen and brush stroke. Now you can do this online without leaving home, and save your favorite, beautiful or weirdest images. 

I recommend searching for manuscript images, perusing them in detail as I did with a magnifying glass, but saving them to Pinterest. I have multiple Pinterest "board" collections. These compilations range from the ridiculous to the sublime, the tacky to the curious. Saving images to Pinterest automatically records the location, providing future access. And I can review, share and update the boards later.



My Jehanne Bening Pinterest Boards In A Screen Capture 





















Studying the works I found and noting what I saw on Pinterest helps me to learn what I liked about some works and didn't like about others. My collections have both good and bad examples, exquisite manuscripts and commonplace books. They are an information treasury to improve my visual awareness and enlarge my inspiration sources. 

I don't always seek out whole manuscripts, or even whole pages. Looking at page parts is a powerful tool. I'm able to zero in on a single scribal aspect, such as acanthus leaves in multiple manuscripts or many books with a similar script. You can discover exciting, interesting relationships between shapes, colors, lettering, and ornament by this. And it's your personal discovery, not a museum manuscript curator's.  

However you do it, these inquiries are vital to your scribal experience. It is inspiration gathering, even though you may not have a scroll assignment at the time. Looking at medieval scribal works broad legacy is a decisive part of your creative development. 



Prior Related Post:
5 Tips To Train Your Artist Eye
Wow! Scribal Research Has Changed
6 Reasons to Learn Calligraphy